- Sian Lu's Ghost Cities has been shortlisted for the 2025 Miles Franklin Award, which is why I read it. I doubt it will win but nevertheless on many levels it's a highly enjoyable read.
- Basically it's a satire of China, combining outrageous portraits of both ancient and modern Chinese society. Lu has fun with Chinese authoritarianism and pretence. Unfortunately however he doesn't imbue his portrait with much depth. The focus is on the madness of both eras, the abject cruelty of the ancient, and the sham and glitz of the modern. I guess it could be read as a blistering condemnation of Chinese society, but it's laced with such humour and fantasy that it can't be taken too seriously as a critique.
- The books and paintings of both eras are central too, immersing us in the long tradition of Chinese and Western thought and art.
- The basic story features four main characters: The ancient Chinese Emperor, the modern Chinese film producer/director Baby Bao, Lu Xiang the Australian translator who can't actually speak Chinese, and Yuan, his girlfriend and also a translator.
- Also central is the vacant city of Port Man Tou. Baby Bao builds an immense studio encompassing the entire city and offers Xiang Lu a job. It’s a created zone. As a city it's not actually real - nothing is. Bao attracts millions of peasants and serfs to take actor-worker jobs. There are cameras everywhere, outnumbering citizens ten to one. After a while he toxifies the city to make it more real. The air is thick and heavy. The extras no longer live gratis in comfortable apartments in the city. They have been moved to the fringes where the rent is cheaper and the rooms smaller. And they work on farms and in factories. Constantly filmed of course.
- The ‘Department of Verisimilitude’ is one of the city's governing ministries. Official decrees by the many government departments are authoritarian and dictatorial. Like in the ancient Emperor days. All clocks, watches, and phones showing the time, for example, are outlawed. Only Standard Time showing on a huge clock on a government building is allowed in Port Man Tou.
- Xiang and Yuan talk while they walk the city. Their conversation is delightful. They are a liberating reality. They were brought up in Australia, and imbue the book with joy and soul. At one point they discuss Chinese art, and Western art like Jackson Pollock’s. Yuan doesn’t like Pollock’s art. ‘It is very like you…to search for patterns in the paint…you construct theories about things, the world, and latch tightly on to examples that will prove your theories beyond doubt’.