Having seen and enjoyed writer/director Sarah Watt's intriguing Look Both Ways, I was looking forward to her next, just released film My Year Without Sex. It's had rave reviews, and stars the brilliant Sascha Horler, whom I've always liked. She's an actress without a trace of method, straight up and down honest. What you see is what you get. Matt Day was also in it, he of the ill-cut, page-boy, hairdo.
What a disappointment. The film is easily the the most boring thing I've seen in years. What drama there was was totally contrived - 'what suburban episode can we shove in now to move the story along another month? - a car crash, a dead pet, a win on the pokies, a bit of anxiety at work, xmas presents (isn't there always some cheap drama in there), a dumb priest at the local church, a kid's birthday party, the easter bunny - god, the cliches keep coming.
Thus it never lifted off. The comedy bits were tiresomely unfunny, and the serious bits lacked anything remotely engaging.
I think Watts was trying to convey the stress entailed in being plain and ordinary in our pressured, consumer society, with its endlessly seductive, false god charms. But the parts never amounted to a whole conveying much meaning at all.
See the indigenous production Samson and Delilah instead. This simple movie is a classic. A film about Aboriginal desperation, written and directed by Michael Thornton, which utterly avoids blaming the white man. Powerful.
What a disappointment. The film is easily the the most boring thing I've seen in years. What drama there was was totally contrived - 'what suburban episode can we shove in now to move the story along another month? - a car crash, a dead pet, a win on the pokies, a bit of anxiety at work, xmas presents (isn't there always some cheap drama in there), a dumb priest at the local church, a kid's birthday party, the easter bunny - god, the cliches keep coming.
Thus it never lifted off. The comedy bits were tiresomely unfunny, and the serious bits lacked anything remotely engaging.
I think Watts was trying to convey the stress entailed in being plain and ordinary in our pressured, consumer society, with its endlessly seductive, false god charms. But the parts never amounted to a whole conveying much meaning at all.
See the indigenous production Samson and Delilah instead. This simple movie is a classic. A film about Aboriginal desperation, written and directed by Michael Thornton, which utterly avoids blaming the white man. Powerful.