Wednesday, April 3, 2024

Louise Milligan, Pheasants Nest


The back cover blurb sums this book up perfectly: 


'She wonders if they have discovered her missing yet. Has it broken in the news? Who has been assigned to cover her story? Have they started spooling through her social media and pulling out photographs? Constructing a narrative about who she is and what possible reason any person has to kidnap or (let's be frank) kill her? She tries not to let out the whimper that's building in her sternum, at the thought that he might. Kill her, that is. He might kill her.

Kate Delaney has made the biggest mistake of her life. She picked the wrong guy to humiliate on a girls' night out and now she is living every woman's worst nightmare. Kate finds herself brutalised, bound and gagged in the back of a car being driven god knows where by a man whose name she doesn't know, and she is petrified about what's in store for her.

As a journalist who is haunted by the crimes she's had to report over her career, Kate is terrifyingly familiar with the statistics about women who go missing—and the fear and trauma behind the headlines. She knows only too well how those stories usually end.

Kate can only hope the police will find her before it's too late, but she's aware a random crime is hardest to solve. As the clock ticks down, she tries to keep herself sane by thinking about her beloved boyfriend and friends, escaping into memories of love and happy times together. She knows she cannot give way to despair.

As the suspense escalates, Kate's boyfriend Liam is left behind, struggling with his shock, fear and desperation as the police establish a major investigation. The detectives face their own feelings of anguish and futility as they reflect on the cases they didn't solve in time and the victims they couldn't save. They know Kate's chances of survival diminish with every passing hour'.


- This debut novel by well known 4 Corners journalist Louise Milligan is an absorbing read. Light, perhaps, but very enjoyable. Milligan tells the story with a delightful comic touch: 'Let's go and meet this D'Ambrosio fellow,' he says to Sylvia. 'Deal', says Sylvia, trying to pump his fist, but missing and clocking him on the jaw. 

- She spends a lot of time outlining her characters in depth. They’re all connected, if only slightly at times, but Milligan's deep dive helps flesh out what motivates them. She's very empathetic, frequently breaking the pace of her narrative to register their genuine human issues, anxieties, strengths and weaknesses. 

- Unfortunately, however, all her characters are a bit too good to be true. Kate is ultra beautiful, Liam is ultra smart and nice; their sex ultra in every way; her friends ultra loyal; the cops ultra weird; and the rapist/kidnapper ultra ugly. 

- Nevertheless, as I said, a delightful and absorbing read. 


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