- It's a challenging read. The deliberate confusion in her story-telling is characteristic. Names are occasionally dropped but their identities rarely clarified. Narrators remain nameless, and artists are just known as 'G'. Time periods are fluid. But we soon understand that these details are irrelevant. Realism is a contested terrain.
- There are four loosely connected stories, each running for about fifty pages. There is violence, abuse and the creativity that emerges from it. 'We might find ourselves washed clean of the violence of gender…to unsex the human form’. Another reflects on the physical body: ‘The ageing bourgeois couple trapped unto death in their godless and voluntary bondage is the pedestrian offspring of history’.
- The third story is by far the most interesting. It's called The Diver: a couple have dinner at an Italian restaurant in Paris with friends who work at an art museum. A man had committed suicide there that day. It was very distressing and their discussion is utterly invigorating. It's the best section of the novel.
- Cusk features a lot of talk about mothers, their children and creativity. And always reflects on the body and pain.